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- Видео 657
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Crimson Engine
США
Добавлен 15 дек 2011
An Australian filmmaker, based in the US. My passion is telling stories, and helping others do the same. I believe that stories are at the centre of who we are as humans, and can make the world a better, and more interesting place. I also have a fascination for lighting, cameras and filmmaking gear, and sharing the knowledge I have learned on my filmmaking journey.
The Secret to Staying Organized as a Filmmaker
You can only get as good as the system you use lets you. Today we explore ways of letting others take care of the hard stuff. Free checklists: shorturl.at/syPgW
Tenba Axis V2 Backpack bhpho.to/3KXbt08
Cineluxe Video Shoulder Bag 16 ( for R5c) bhpho.to/3xz7a8j
Cineluxe Video Shoulder Bag 21 Hightop (C500) bhpho.to/3WVJ8eC
Rolling Tripod/Grip Case bhpho.to/3lufVKG
Air Wheeled Case Attache bhpho.to/3RFIm5b
Nanlite PavoSlim 120B Bi-Color: bhpho.to/3WhLac5
PavoTube II 2 foot: bhpho.to/4dhuO9p
Check out more gear at tenba.com/
Tenba Axis V2 Backpack bhpho.to/3KXbt08
Cineluxe Video Shoulder Bag 16 ( for R5c) bhpho.to/3xz7a8j
Cineluxe Video Shoulder Bag 21 Hightop (C500) bhpho.to/3WVJ8eC
Rolling Tripod/Grip Case bhpho.to/3lufVKG
Air Wheeled Case Attache bhpho.to/3RFIm5b
Nanlite PavoSlim 120B Bi-Color: bhpho.to/3WhLac5
PavoTube II 2 foot: bhpho.to/4dhuO9p
Check out more gear at tenba.com/
Просмотров: 828
Видео
Affordable LED Tube Lights that are ACTUALLY good
Просмотров 1,5 тыс.2 дня назад
The latest tube lights from B&H's Generay brand are an affordable solution for filmmakers of all levels. Genaray PX1-RGB Pixel RGB LED Tube Light (1') bhpho.to/4cdwTTe Genaray PX2-RGB Pixel RGB LED Tube Light (2') bhpho.to/3rbuvtC Genaray PX4-RGB Pixel RGB LED Tube Light (4') bhpho.to/3EDXclK
Canon C400 is HERE: Worth the WAIT?
Просмотров 10 тыс.14 дней назад
Full Frame Raw 120p in a full size body? All that and more: bhpho.to/4e7Kg8p Upgrade you Skills at www.canonmasterclass.com
Stable Movement: Tripod Storytelling
Просмотров 10 тыс.14 дней назад
Today we look at how to get Cinematic shots by moving the camera on a tripod, rather than in space. Benro BVX18 Carbon Fiber Pro Video Head and Tripod: bhpho.to/42v0d2D Tenba Rolling Tripod/Grip Case: bhpho.to/3lufVKG Keylight - Nanlite Pavoslim 120b: bhpho.to/3WhLac5 Backlight - PavoTube II 15C: bhpho.to/4dhuO9p More at www.canonmasterclass.com
Lighting a Feature Film the EASY Way
Просмотров 15 тыс.Месяц назад
Lighting a Feature Film the EASY Way
The RIGHT way to use AI in Screenwriting
Просмотров 2,2 тыс.Месяц назад
The RIGHT way to use AI in Screenwriting
5 Things you should NEVER do with a Cinema Camera
Просмотров 6 тыс.2 месяца назад
5 Things you should NEVER do with a Cinema Camera
Why Big Lights Matter: Intellytech Mega-8FC LiteCloth 3.0 Review
Просмотров 1,8 тыс.3 месяца назад
Why Big Lights Matter: Intellytech Mega-8FC LiteCloth 3.0 Review
Is RED Dead? Can Nikon Find Redemption?
Просмотров 2,3 тыс.3 месяца назад
Is RED Dead? Can Nikon Find Redemption?
Canon's New Cinema Cameras for 2024: New Rumors
Просмотров 11 тыс.4 месяца назад
Canon's New Cinema Cameras for 2024: New Rumors
The First Step in Writing Great Films
Просмотров 9104 месяца назад
The First Step in Writing Great Films
Unleashing Your Creative Potential: Maximizing Your Resources for Epic Filmmaking
Просмотров 2764 месяца назад
Unleashing Your Creative Potential: Maximizing Your Resources for Epic Filmmaking
How to Use What You Have to Level Up Your Filmmaking
Просмотров 9605 месяцев назад
How to Use What You Have to Level Up Your Filmmaking
Behind the Scenes in Cuba: Unexpected Rehearsals and Stunning Filming Setup
Просмотров 3245 месяцев назад
Behind the Scenes in Cuba: Unexpected Rehearsals and Stunning Filming Setup
Projector Technology UPGRADE Ft. the XGIMI HORIZON Ultra
Просмотров 1,2 тыс.5 месяцев назад
Projector Technology UPGRADE Ft. the XGIMI HORIZON Ultra
Unlimited Content for $1/day? How Artlist ACTUALLY works.
Просмотров 6 тыс.6 месяцев назад
Unlimited Content for $1/day? How Artlist ACTUALLY works.
Upgrade your Filmmaking this Black Friday
Просмотров 1,2 тыс.7 месяцев назад
Upgrade your Filmmaking this Black Friday
Can you MAKE IT as a Filmmaker Living Outside of a Big City?
Просмотров 1,5 тыс.7 месяцев назад
Can you MAKE IT as a Filmmaker Living Outside of a Big City?
5 AI tools Revolutionizing Filmmaking in 2023
Просмотров 7 тыс.7 месяцев назад
5 AI tools Revolutionizing Filmmaking in 2023
Amazing tips here! You are so right about checklists and mark how many bags/cases. Thank you!
I don't have 8 mins. Tell me, the secret is to have many tiny compartments inside my gear case?
Then watch it when you have 8 min to watch
@@tigran3409 It's just a joke. 🤷♂️
Really good advice. Thanks for uploading!
Wise advice. 😊👍
Thanks! 🙂
Cheers pal.
3:32 "dim to taste" is my new favorite phrase for adjusting LED light brightness now
That was fab. I learned a lot! Thank you.
Trana make movies too
Glad it was helpful!
A viewfinder is a must for any true cinematographer.
Hey Crimson , really nice video ! I was wondering if I could help you with more Quality Editing in your videos and also make a highly engaging Thumbnail and also help you with the overall youtube strategy and growth ! Pls let me know what do you think ?
Love the idea. Tried it out and seriously thinking of subscribing
I’d be worried about missing focus in a run and gun situation for travel films
Did I miss the "How to make a movie" part, somehow?
Still love my C200 - full XLR ports, RAW 4K DCI 60fps and much more.
Unfortunately, he falls into the trap A lot writers do thinking that if you follow structure, your film will be like every other film - that’s like saying if you’re a human with a head, two arms, a spine and two legs that you’re like every other human. Back to the Future, Star Wars, Jaws and the Matrix all follow a similar save-the-cat structure but they are completely different films. Without structure your film is less likely to be genius and more likely to just be a mess. Good structure is not something the audience should even be aware of like background music it creates the magic but is transparent to everyone but professionals.
It's beyond me, why the market isn't flooded, like the monitor market, with EVF's there's practically no options below several thousand dollars. And they mostly suck. Any recommendations?
Great timing. Was looking at getting a shorter Nanlite, but these are insanely afforable!
I used to have quite a few Genaray lights. I'm not sure why they never really caught on with the main stream filmmakers. So of their stuff was pretty innovative back in the day.
Dude, The audio on this is sooo Good. Wow.
thanks
Id love to see your review of the new smallrig mini v mount batteries.
Where did you get the information that the monitor is "open standard" that's sounds very unlike Canon. I can't find any info on this.
CVP's video. It could be that they were talking about USB-C being open. It hasn't been confirmed yet.
I love your content so much!
I have an FX9 and I am thinking of going to the C400. Also thinking if it would be a downgrade but looking at it on paper the C400 beats it and does more.
I'm not so sure yet, every camera has it's own artefacts. Looks like theres denoising artefacts on Canon's promo short film video at 1.25 and 1.28. fairly terrible on the blue light...That doesnt seem to happen on Burano. I've included their promo footage here from Canon USA.... has anyone tested this yet? ruclips.net/video/cyeAf5SFExg/видео.html Also note that it's missing IBIS, so no handheld with prime or vintage lenses without a gimbal. Focus breathing correction is also missing...12bit raw - These days 13-16bit compressed raw is becoming the norm. But great to see triple ISO. Keep it competitive Canon!
😮😮
You look even more gorgeous
Hello, guys, Canon EVF-V50 OLED Viewfinder Will this viewfinder fit the new Canon C400 camera and will it work? and the second question is, is it possible to fix the manfrotto pad directly to the bottom of this chamber? or do you need an additional platform separately?
downgrade from C500 Mark 2? I had that camera, it's amazing but this looks to be on par if not better... I see a lot of guys defending the c500 that own them, it feels like the guys defending buying a Burano, I miss my c500 Mark2, this has got me tempted to jump back to Canon, I definitely wouldn't feel like I'm missing anything buying a C400 over a C500 Mark 2..
I would say that this is an upgrade from C500 II. I have an FX9 and I am thinking of going to the C400. Also thinking if it would be a downgrade but looking at it on paper the C400 beats it and does more.
You don't know what you're talking about
And how much was the Burano again?
That sounds like a mexican food
@@mbismbismb A lot of the cool kids call it the Burrito, even some who own it.
C600 confirmed
What? Where? When?
@@CrossCory 4:35
When the C300 Mark III launched, it was $10,999USD. At $7,999USD, the C400 is $3,00USD less than the C300 Mark III's original price.
Too late for Canon, the amazing 2 000 $ Eclipse is near to be available ! ruclips.net/video/sSKlqLseHog/видео.html
What are you using for eyelight in this video?
The new GH7 have 32bit flot audio. I guess that will be on the C600
Am I the only one who thinks full frame is vastly overrated for anything outside of docu and feature films?
Full frame for life
I used to think FF was stupid, still do to a point, I dislike the FOV compared to S35 for one thing. The heavier, more expensive lenses for another. BUT , I did recently buy an FX6 for a particular client who has repeating weekly gig that they shoot on two other Sony cameras so I kind of had to buy a Sony for this client. It's shot in a theater with theatrical lighting which as many of you have experienced, translates to pretty low lighting levels for video shooting. It is a live streamed gig so shooting Slog 3 with it's base ISOs of 800/12,800 isn't possible but the FX6 in S-Cinetone still has base ISOs of 320 and 5000. At ISO 5,000, our TD still is amazed by how good the image looks. I own three Canons and they look decent at ISO 2500 but the Sony is impressive at ISO 5000. I still don't like the FOV, but for this gig, where I don't get to light it and I have to work with whatever the LD is putting out, the FX6 has been an effective tool, client loves how good the images look at such a high ISO. I'm still not a fan of Sony and I think this FX6 is crappiest built pro camera I have ever owned but for this one gig, it serves its purpose well because of the FF, high base ISO and really good AF. It's handheld (well, Easy Rig) with me constantly moving and switching off subjects who are also moving so the AF is kind of a necessity even though I prefer manual focus mostly. The takeaway is, even if you aren't a fan of a certain camera or manufacturer, sometimes, it's still the right tool to use. I shot the first few episodes with one of my Canons and the client did not like the footage, so I rented the FX6 a couple of times and they loved it so I had to buy it. This gig will have the FX6 paid for in about two more months of shoots and then it will generate profit/income for me each week and I already used it for a gig for Mazda North America that paid a good chunk of it off too. Corporate clients really love Sony.
@@danbrockettDOPI completely agree. The point of my comment was to just say FF has been such a trend for everybody lately that it makes it so that it sounds like the only and best option. I don’t dislike FF at all. But I do believe that sometimes some people can overlook great systems and image quality simply because of sensor size. But I do completely understand you point and it’s valid.
The camera is amazing and priced well. My only complaint and this is complaint to all brands is just stop it with the stupid little screens. Just have a usb-c port and allow monitoring the footage and controlling the camera with our smart phones.
The camera is a home run, but just feels a bit late. FX6 users would need to sell their E Mount Glass and give up third party lenses to go with the C400.
Zack Snyder got paid a lot of money and he made some of the biggest box office bombs and money Losers of all time. He almost single-handedly ruined Warner Bros, a 100 year old studio. If Rebel Moons were released in theaters, his debt number$ would be even worse.
Great overview, thanks! Lots to like about this cam, though the choice of usb c for monitor and handle surprised me. Time will tell how secure and robust these connections are in the field.
Given the C500 mark II and the C400 plus the $1600 PL mount makes those cameras nearly the same cost, which is the better camera for doc work: formal interviews, on the fly interviews, b-roll, etc.
ALL THESE CAMAERAS WONT MAKE YOUR PRODUCTION BETTER. STOP FALLING FOR THIS GUYS
Spot on. EVERY CAMERA performs brilliantly in the right hands
@@Mr_Kenneth perfectly said. People will praise this camera until another one releases next month lol. I always think about the audience and the ones watching really give two shits what you shot with just as long as they can see it clear enough and the audio is good to their ears with a good story. The way camera companies make money is to mKe new cameras.
It doesn’t even have the features of the including a lens £2000 lumix s5iix. The lumix can record raw straight to ssd without a monitor, it has open gate, it has anamorphic de squeeze in camera, it has far far superior iso performance, it’s already been reported this camera has very bad noisy higher iso performance!. It has built in variable nd but so does the Sony fx6!. No pro av have already said this c400 has very bad noisy high iso, noisy shadows. So it’s worse than the fx6!. The moment the fx6 m2 is released this camera is obsolete.
We'll need tests before we can 100% determine whether the C500 mark II has better DR. Also, Panasonic just released the GH7 with 32 bit float onboard ;P Great vid. thx!
Canon Cameras > Canon marketing Sony Cameras < Sony marketing = Canon < Sony on youtube and influencers channels = Canon > Sony in professional hands.... This is just 110% true my friends.
*Mid tier and lower sure. 500k plus productions we aren’t looking at cannon
Canon doesnt need those amateur youtubers (which imo shooting youtube contents no need to be professional ini any ways compares to movie production hahaha) canon know their market very well they wont go low to tarnish their brand
I have three Canons and have been a Canon shooter for a decade, have two documentary films I shot on Canons on HBO. That said, as a freelancer, I haven’t been asked for Canon in at least four years. It’s ALWAYS Sony. So much so that I just had to buy an FX6. I really didn’t want to buy an FX6 but I’m glad I did because I have regular clients who already own Sonys and they want to hire me with a Sony. I even tried integrating one of my Canons into a live multi camera shoot and they hated it so I rented an FX6 for a few weeks and then decided buying a Sony was the smart business decision. The AF is really good, the E VND is superior to my Canons. Other than that, I prefer Canon colors, skin tones, and build quality, by far. I own thirteen EF lenses and one E mount lens I bought for this recurring gig. I hope the C400 can break the stranglehold that the Sony FX cameras have on low to mid level production soon but I don’t think it will. Canon waited far too long to introduce new cameras and Sony took their market share. If I had clients who didn’t care which camera system I shot with, I’d consider the C400, but my client base seems to really only have Sony on the brain.
Agree - for commercial work (500k-5M+) it’s Sony, Red, Arri. Doesn’t take anything away from cannon - I still think the og c300 stomped the Red One/Scarlett but more for personal work or to your point doc
4:27 you say you don't want to "give up the image quality and dynamic range of the C500 Mark II" - what makes you think the image quality of the C400 would be a downgrade? The C500 MkII is not a DGO sensor either, right?
C400 hundred has an announced dynamic range of 16 stops. That's huge. C500 mkii is 15+. I think he might've misread that. But who knows. Only real world testing can tell.
Canon are saying that. Otherwise why still sell the C500m2 for $2k more?
The reason it's called c500 which is above c400, and there are some huge differences between them, likewise the full size XLR inputs , the evf on the back of c500, dual CFexpress cards found in c500 and some buttons and layouts changes
Canon was the first in 2011 with the C300 and it changed the industry. They haven't been first since, but their cameras are probably the most well built of any. I have a C300, C300mkll and C500mkll. In the 14 years that I've gone from Sony/Panasonic to Canon, I have not had one single problem with any of my cameras, ever. That says a lot in this business.
Is the R6 of your R5/R6 masterclass the Mk I or Mk II?
It's a good announcement for Canon. I'm still happy with my C70. If I didn't own the C70 I would take a hard look at. the C400. But so far the C70 does everything I ask it to do. It has pulled its weight on three productions alongside Sony Venice 1, Sony Venice 2, Sony FX6, and Arri Alexa mini. Yes, it was a C, or D camera but the footage looked great and it absolutely held its own against the heavyweights.
of course not when you are working with those cameras lol
@@noranoskyle4417 The thing I love about the C70 is I can shoot it alone on a director scout and on B roll days. A lot of times I will get footage in advance of the full crew day that ends up in finished edit because the light was perfect. It's funny how the conditions on scout day are always ideal. So is the Canon C70 better than an Arri Alexa? If the Arri Alexa is sitting on a shelf in a rental house and I'm on location with the C70, yes.
@@josephberkeley The c70 is probably the most go-to camera. That camera won't see a mark ii for some time. When there is mark ii release nobody should expect the price of the mark I to drop much